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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

A little less conversation: After Sex @Arcolatheatre


According to research, millennials in rich countries are having sex less these days. But they were prepared to talk more about it. So, it is no surprise to see a story about what happens when a series of no-strings-attached encounters start to become attachments. And the conversations arising from it. Such is the premise of After Sex, Siofra Dromgoole’s two-hander of the conversations afterwards. It’s not particularly sexy or erotic, and the snappy pacing and short scenes sometimes make you wish they stayed longer to finish the conversation. Nevertheless, it is still a funny and, at times, bittersweet picture of single lives in the big city. It’s currently playing at the Arcola Theatre. 


He is bi and works for her in an office job. She is neither ready for a commitment nor to let the office know what’s happening. He isn’t prepared to tell his mum there’s someone special in his life. He doesn’t speak to his dad, so his mum is his world. It’s a perfect relationship/arrangement. Or so it seems. But through these casual encounters, desires, fantasies, and the urge to connect with someone becomes strong. 

The two leads aid much of the tension and the drama. They move about the stage with their lingering looks at each other that seem both intense and provocative. His booming voice makes it difficult not to listen to Azan Ahmed. He has no name in this piece, but nobody will likely forget him. Similar for Antonia Salib. As her, she may admit she let several guinea pigs die, but you feel an affection for this serial guinea pig killer in ways that you probably should not. 


Running for just over an hour, it’s a brief encounter of post-coital discussions. Maybe there’s a future version where things can linger longer, allowing us to understand the characters more. But in the meantime, there’s laughter tinged with a hint of sadness and loneliness in this production. There isn’t much physical intimacy here, but the imagination sometimes runs wild. 

Directed by Izzy Pariss, After Sex by Siofra Dromgoole is at the Arcola Theatre until 3 August. Look out for the pre-and post-show discussions on 25 July. 

⭐️⭐️⭐️⭐️

Photos by Jake Bush


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