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Showing posts from June, 2024

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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e
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Kafka-ish: Kafka @Finborough

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In offering proof that Kafka is everything to everyone - writer-performer Jack Klaff plays various roles, including the man himself in what is a part tour, part immersion and part legend of Franz Kafka. He is a writer who achieved fame after his life was cut short due to succumbing to tuberculosis at the age of forty. He is probably better known for his reputation and the Kafkaesque style attributed to his writing than his life. But after this piece, you’re left curious to learn more about the man and his works. And that has to be the best theatrical tribute you could give a writer, even for a writer who stipulated that his works be destroyed upon his death. It’s currently playing at the Finborough Theatre . Franz Kafka was born in Prague in 1883. In 1901, he was admitted to a university and began studying law. While studying, he met Max Brod, who would become his best friend and eventual literary executor. Brod would posthumously publish many of his works and writings. Kafka’s life co
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Theatre of Blood: The Bleeding Tree @Swkplay

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Domestic violence in Australia is never far away from the news. Some statistics suggest it is more prevalent down under than other similar countries . There are podcasts about women who mysteriously disappear only to find that the suspect, the male partner, was never charged with a crime.  The Bleeding Tree is an evocative tale of revenge against a backdrop of domestic violence and cruelty. And what happens when the women take back control? With painstaking and, at times, gruesome descriptions of the despair and their support for each other, it’s a harrowing yet rewarding tale of resilience and survival. It’s currently playing at the Southwark Playhouse, Borough .  Set in a remote homestead in the Australian outback, a mother (mum played by Maria Gale) and her two daughters, Ida (Elizabeth Dulau) and Ada (Alexandra Jensen), come to terms with the decision they take to kill a man who was a source of cruelty and abuse. While a cover story that he went to visit his sister “up north” moves
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