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Two Ladies: La Bella Bimba at Barons Court Theatre / Canal Cafe Theatre

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T hey sing. They dance. They clown around. They even wash clothes! Such is the story of La Bella Bimba, part of the Voila Theatre Festival, which highlights new and emerging artists. A tale of two Italian ladies who land in 1920s New York, trying to break into Broadway without speaking a word of English. It’s harmless, primarily even if a little nonsensical, and is currently playing as part of the Voila! Theatre Festival .  I caught the performance at the Barons Court Theatre , where the intimate setting created an evocative atmosphere reminiscent of dark New York alleyways. The space was almost claustrophobic with a distinct smell of rising damp, making you feel immersed in the story of two Ladies hanging around the theatre doors of Broadway. On the plus side, the theatre has some of the most comfortable seats you will find in any pub theatre in London. As the naive and hopeful singers, Co-creator Lucrezia Galeone as Carlotta and Sarah Silvestri as Cecilia are fine singers with co...

Same but indifferent: Laughing Boy @JStheatre


Stephen Unwin's Laughing Boy, adapted for the stage from Sara Ryan's Justice for Laughing Boy, is a powerful and moving story about a mother and a family that keeps asking questions despite the victimisation and harassment from the institution - the NHS - that was supposed to protect her son. It's a moving, celebratory account of a life cut short due to indifference held together by a remarkable performance by Janie Dee as Sara. It's currently playing at the Jermyn Street Theatre

Sara's son, Connor, is a little different to others. He is fascinated by buses and doesn't like things like loud noises. But as he becomes an adult, his seizures and unexpected outbursts mean the family turn to their local NHS for support. Little did they realise they would receive such little care from a service that was institutionally incompetent and covered up thousands of unexplained deaths of people with disabilities, including Connor's. The search for answers about why he died leads to a campaign and the piece's focus. 


Connor's story has appeared in the news over the years. The facts are presented up front that he drowned in a bath in a residential unit. But on stage, it gives a new perspective; the raw emotions of grief, injustice and anger come to the fore. Janie Dee as Sara is central to the story, covering the contradictions, the regrets, the barely concealed rage and grief. It's sometimes an emotional rollercoaster, but it benefits from its frankness. Alfie Friedman sensitively plays Connor, who is onstage throughout, and his presence serves as a reminder of the person at the heart of the story. The rest of the cast plays various characters in the story, from family members and lawyers to creepy NHS executives.

It's also not a story of the recent past but the continuing story of institutional indifference and incompetence that seem to be told often. Southern Health NHS Foundation Trust, the focus of the drama, still requires improvement in its service. Sarah Ryan's columns for the Guardian over the years repeat the same message about the indifference the health services have towards people with learning disabilities. It's the same story again and again: indifference.  

Adapted and directed by Stephen Unwin, Laughing Boy is at Jermyn Street Theatre until 25 May and then has a short run at Theatre Royal Bath 4-8 June. 

⭐️⭐️⭐️⭐️



Photos by Tristram Kenton

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