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For the fans: An Evening Without Kate Bush at Underbelly Boulevard

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I’m not a fan of Kate Bush. But as Sarah-Louise Young in her show An Evening Without Kate Bush says, that’s ok. She appears, initially illuminated only by a red lamp, dressed in black, and moving across the stage in the style of Kate Bush. Or given that I’m not a fan or that familiar with her works, what I would assume Kate Bush might do if she had full run of the Underbelly Boulevard theatre. It’s evocative and a little bit funny. But soon it becomes clear that this is a show for the fans of anything out there. Be they Kate Bush fish (what the fans call themselves), friends of fish or foes. Ultimately, it’s a show about how music is often the soundtrack to our lives, capturing the spirit of being a performer, a fan and being alive. It’s currently playing at the Underbelly Boulevard .  This wasn’t my first evening without Kate Bush. A little over four years ago, I saw Ms Young writhe about the stage, gaze at the audience, and drag the odd audience member on stage as she recounted h...

Bear with me: Sun Bear @ParkTheatre


If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics. 

But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help.


It has simple staging, with Richardson on stage in a grey suit behind an office desk with pens in a pot. But this allows us to focus on her.  

Richardson has created a story of survival and leaving in the past an abusive relationship. But it’s a bumpy road full of anger and outbursts. The title, Sun Bear, comes from an animal found in Southeast Asia and purportedly known to attack without provocation. But ultimately, it is a tale of survival and moving on. But beware of colleagues who don’t like sharing their pens.

Sun Bear, by Sarah Richardson, is at Park Theatre as part of the Make Mine A Double season, which runs through 13 April.

⭐️⭐️⭐️⭐️

Photos: Jacob Cox

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