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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

Grief and fluff: Tiger @OmnibusTheatre


Death is something we all will face. After all, nobody gets out of here alive. But how do you get past it when grief is all you can feel? And this is the premise of Tiger, currently playing at Omnibus Theatre. It's a fascinating exploration of the stages of grief. And with a terrific cast to take you on this journey, it's an endearing and sweet story that has you engaged from the start, wondering what will happen next. 

We are introduced to Alice (Poppy Allen-Quarmby) as she gives a stand-up routine. It's not particularly funny and starts to veer into the topic of dying. Something isn't right. She used to be good at this but can't move forward. Soon, she is back in her London apartment with her partner Oli (Luke Nunn), discussing that they need to get a lodger to make ends meet. 


Oli is a doctor working night shifts at the local NHS hospital. Alice is not ready to face a return to stand up or anything. So when the first potential lodger arrives (Meg Lewis), looking slightly odd dressed in an orange suit and a long tail, she bonds instantly and asks him to move it without discussing it further with Oli. They're unsure what his name is, so they give him the name of Tiger. Tiger is full of optimism, endless facts, and knock-knock jokes. Some of them are funny (at least to some audience members the night I saw it, who let out loud chuckles after them). 

But the simple forays into silliness may be concealing and delaying facing some harsher realities. And soon, Alice's plight, her struggle with loss and her mental health come to the fore. 

Joe Eyre's play tackles the subject of mental health and grief with a playfulness and light touch. And while perhaps a little long, the cast also gives this piece a compelling human touch with their sensitive and often comic portrayals.  

It's a simple production set in the traverse, with a fluffy-looking stage that had me initially mistake the characters for furries. There's more to it than that, but you should beware of the floating polyester kicked up as the actors move across it if you're sitting in the front row. Nobody needs to be eating that sort of thing. 

Directed by Myles O'Gorman, Tiger continues at Omnibus Theatre until 2 December. 

⭐️⭐️⭐️⭐️



Photos by Harry Elletson

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