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Showing posts from November, 2023

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Waiting for Sandy: Milked @WhiteBearTheatre

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Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington.  The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His fat...
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Grief and fluff: Tiger @OmnibusTheatre

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Death is something we all will face. After all, nobody gets out of here alive. But how do you get past it when grief is all you can feel? And this is the premise of Tiger, currently playing at Omnibus Theatre . It's a fascinating exploration of the stages of grief. And with a terrific cast to take you on this journey, it's an endearing and sweet story that has you engaged from the start, wondering what will happen next.  We are introduced to Alice (Poppy Allen-Quarmby) as she gives a stand-up routine. It's not particularly funny and starts to veer into the topic of dying. Something isn't right. She used to be good at this but can't move forward. Soon, she is back in her London apartment with her partner Oli (Luke Nunn), discussing that they need to get a lodger to make ends meet.  Oli is a doctor working night shifts at the local NHS hospital. Alice is not ready to face a return to stand up or anything. So when the first potential lodger arrives (Meg Lewis), looking...
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Axes to grind: Lizzie @Swkplay

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Arriving at the Southwark Playhouse Elephant , there are plenty of pigeons (real and otherwise) inside and outside the theatre.  Having not been there since it opened at the start of the year, I figured it was an art installation.  Little did I know that it was a crucial part of Lizzie, the hard rock, full-throated true crime rock musical.  Pigeons are solace from a stifling, oppressive life for an unmarried woman in 1890s Massachusetts.  And that is probably all the subtlety you'll get in this high-energy production.  It originated at the Hope Mill Theatre in Manchester and now makes a lot of noise in the Southwark Playhouse's basement venue.  Based on the trial of the century in 1890s Massachusetts, Lizzie Borden was acquitted of murdering her stepmother and father with an axe.  Over time, everyone believed she had done it.  There's even a nursery rhyme about her.  This piece is less interested in the whodunnit and more in the whyshedunnit....
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