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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Nasty boys: Gentlemen @Arcolatheatre


It's a tough life in an elite university. If you thought college was a place for caring, understanding, nurturing and tuition, you might be in for a big surprise. In Matt Parvin's Gentlemen, it's the latest battleground for the culture wars. Everything is a score to be settled with sanctimony, mind games or both. Everything is about fitting in or resisting all attempts to conform. It's currently playing at the Arcola Theatre. 

The premise is that Greg (Charlie Beck) is meeting with the college welfare officer, Timby (Edward Judge). Kaspar (Issam Al Ghussain) has alleged bi-phobic comments about his sexual orientation. Greg is also potentially up for charges of assault. 


Both freshmen, the hormones and the anger race as fast as their minds. Soon, the concept of right and wrong, fitting in or being an individual, gets into many grey areas. Will an example be set of loudmouth Greg from a struggling background, or will he be given one last chance? Each takes turns pleading their case (or manipulating) Timby. And he seems sincere yet impotent. 

It's a tightly written piece, with the scenes moving between one character and the next. You also get some sense of the pressure facing young people to study, to succeed, to fit in or not with its perverse results. And while kudos for featuring a bi character, it's not the most positive depiction of bi-inclusion. 

The cast does well, perhaps too well, at creating this insular world where outrage or fitting in seems to be the only two paths to follow and where common ground seems elusive. 

And perhaps that's the point of the play. We're running out of safe places to learn and reflect. And that appeasing the polarised is not particularly satisfying. Whether you find it an enjoyable piece of theatre might depend on where your sympathies lie. I settled on the two boys being two little shits, so I remained ambivalent about the piece's politics and arguments.

Directed by Richard Spier and written by Matt Pravin, Gentlemen plays at The Arcola through to 28 October. 

⭐️⭐️⭐️ 



Production photos by Alex Brenner

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