Searching undeterred: The Gift @ParkTheatre
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I was unfamiliar with the book's runaway success and the TikTok phenomenon, where people #booktok reviews of the piece under flattering lighting and a series of jump cuts. However, a quick cursory glance at the material shows the play has captured all the best bits in vivid detail, particularly in its descriptions of men. There's Ryan, the bar manager, with his "big thick neck and tiny pea head, thinning hair." But people may have mistaken some of these for comic takedowns rather than factual depictions of English people.
Translated to the stage with Kelly's strong performance, you are drawn into her world and ready to forgive her for whatever she says. Even when she spews the darkest innermost thoughts out at you, it's all a very high-concept premise about turning the male gaze on its head. But apart from being a bad girl, you are left with the same gore that's gone before.
Maybe one day, there will be a compelling drama about a female photographer who photographs her male subjects without the need to shove a bottle up their arse. Until then, enjoy the ride. Assuming that you can stomach it.
Directed by Sara Joyce and written by Gill Greer, Boy Parts is at Soho Theatre until 25 November.
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Photos by Joe Twigg