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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Bad girl: Boy Parts @sohotheatre

Production photo - email projected on screen with Aimee Kelly behind

In these angry times, an angry anti-heroine is a cathartic release, even if you’re not quite sure what the anger is about. This stylish adaptation of Eliza Clark's Boy Parts with a charismatic performance by Aimée Kelly makes it engaging. And while we don't see the gore, with each scene, there's a slight dread as to what gruesome turn of events s is going to happen next in this piece, which takes Fleabag and adds a touch of American Psycho nonchalance. It's currently playing at the Soho Theatre

I was unfamiliar with the book's runaway success and the TikTok phenomenon, where people #booktok reviews of the piece under flattering lighting and a series of jump cuts. However, a quick cursory glance at the material shows the play has captured all the best bits in vivid detail, particularly in its descriptions of men. There's Ryan, the bar manager, with his "big thick neck and tiny pea head, thinning hair." But people may have mistaken some of these for comic takedowns rather than factual depictions of English people.

Production photo - Aimee Kelly

But anyway. We are introduced to Irina, and it's soon clear that she's manipulative, toxic and generally not nice. She likes to photograph young men in states of undress or distress. And her work catches the eye of an edgy Hackney gallery. It's the chance to make a name for herself after a setback. But the gallery is after edgier stuff, so she needs to up her game and find the proper subject matter and splatter to make the exhibition, returning to past works and encounters. As the opening to the exhibition approaches, you're left unsure what is fantasy or reality. 

Translated to the stage with Kelly's strong performance, you are drawn into her world and ready to forgive her for whatever she says. Even when she spews the darkest innermost thoughts out at you, it's all a very high-concept premise about turning the male gaze on its head. But apart from being a bad girl, you are left with the same gore that's gone before. 

Maybe one day, there will be a compelling drama about a female photographer who photographs her male subjects without the need to shove a bottle up their arse. Until then, enjoy the ride. Assuming that you can stomach it. 

Directed by Sara Joyce and written by Gill Greer, Boy Parts is at Soho Theatre until 25 November. 

⭐️⭐️⭐️

Production photo - Aimee Kelly on the floor

Photos by Joe Twigg

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