Featured Post

Two Ladies: La Bella Bimba at Barons Court Theatre / Canal Cafe Theatre

Image
T hey sing. They dance. They clown around. They even wash clothes! Such is the story of La Bella Bimba, part of the Voila Theatre Festival, which highlights new and emerging artists. A tale of two Italian ladies who land in 1920s New York, trying to break into Broadway without speaking a word of English. It’s harmless, primarily even if a little nonsensical, and is currently playing as part of the Voila! Theatre Festival .  I caught the performance at the Barons Court Theatre , where the intimate setting created an evocative atmosphere reminiscent of dark New York alleyways. The space was almost claustrophobic with a distinct smell of rising damp, making you feel immersed in the story of two Ladies hanging around the theatre doors of Broadway. On the plus side, the theatre has some of the most comfortable seats you will find in any pub theatre in London. As the naive and hopeful singers, Co-creator Lucrezia Galeone as Carlotta and Sarah Silvestri as Cecilia are fine singers with co...

Outrageous Sustenance: The Return of Benjamin Lay @Finborough


The Finborough Theatre has its windows open to the world outside in The Return of Benjamin Lay. The evening sunlight fills the theatre space, and a giant tree outside the building gives you peace and tranquillity. It's as if you almost forget you are in a theatre just off the A3320 - a road known for pollution, noise and traffic congestion. Yet, recreating a Quaker meeting room for the piece also provokes the audience to reflect on how the life and times of a slavery abolitionist from the 1700s has something to say about our current times of modern slavery, prejudice and ignorance. It's currently having its world premiere at the Finborough Theatre. 


Benjamin Lay was a revolutionary slavery abolitionist who lived in the 1700s. Having witnessed first-hand the atrocities of slavery in Barbados, he campaigned against it vigorously, including kidnapping a child of enslavers so they could see how it felt. For a man ahead of his time, the Quaker community disowned him. This monologue imagines him returning to a Quaker community, recounting his life and explaining his actions. But as he begs to re-enter the society that abandoned him, he realises that his quest is different and more radical. There's a moment when he recounts that his wife tells him his anger is good-hearted but not sustenance. It feels that the piece plays between the tension of outrage and idealism throughout the ages. And for anyone told down to dial down their enthusiasm (or outrage), here’s a piece to suggest perhaps you should be dialling it up. 

The piece by Naomi Wallace and Marcus Rediker is a part history lesson and a call to action. In the title role, Mark Povinelli creates the time and place with an energetic and evocative recounting of his times and the various characters in his life. He bounds across the stage and engages with the audience. The audience participation isn't always successful and probably depends on the books they read. Thankfully I wasn't asked to confirm I was reading William Goldman's "The Season: A Candid Look at Broadway" as that would have killed the mood. However, it's a thrilling theatrical event in any case. 

Directed by Ron Daniels, the Return of Benjamin Lay is at the Finborough Theatre until 8 July. 

⭐️⭐️⭐️⭐️



Photos by Robert Boulton 


Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...