Featured Post

Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

Image
It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

Scientific pursuits: Family Tree @BrxHouseTheatre


Family Tree, by Mojisola Adebayo, uses the power of words to weave a story about race, inequality, health and the state of the world from the perspective of black women. It’s provocative, disturbing and methodical in depicting inequality throughout time. But it’s also a celebration of life and thriving in the face of relentless adversity. It’s currently playing at Brixton House.

The guide to the story is Henrietta Lacks. Lacks was a black woman who died from cervical cancer in 1951. The hospital that treated her was the only hospital that would accept black patients in the area; it took a biopsy and collected her cells without her knowledge or consent. Scientists found that hers could be kept alive, unlike other cells that only survived for a few days. Today her cells are the oldest and most commonly used human cell line used to test the first polio vaccine, cancer treatments and covid-19 vaccines.


The guide, Lacks (Aminita Francis), introduces us to a world where segregation and inequality meant that the only hospital available to her would harvest her cells without her knowledge and keep the discoveries from her family for many years. The piece weaves tale after tale of black women erased from history. Henrietta Lacks, enslaved women in the 19th century forced to undergo cruel experiments or black NHS workers required to work without the necessary PPE during the pandemic. The times may have changed, and history may not repeat itself, but the inhumanity still rhymes in many uncomfortable ways. 

Part poetry and part dialogue between the performers, the piece is at its strongest, conveying the story of injustice and inequality. It can be hard to follow as it moves between the poetry and dialogue, but the argument remains the same. 

The cast conveys the necessary anger and humanity of the piece with focused performances as they play a variety of characters. And the staging with simple circles could be the Garden of Eden or a Petri dish to underscore the themes. 

The piece won the 2021 Alfred Fagon Award, the leading Black British Playwriting prize for the best new play. It is a marvel for its clarity and incisiveness in telling the story of Henrietta Lacks against the backdrop of institutionalised racism.  

Directed by Matthew Xia, Family Tree is at Brixton House until 23 April. It then moves to tour through to 17 June. Check the Actors Touring Company website for details. 

⭐️⭐️⭐️⭐️



Photos by Helen Murray


Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre