Searching undeterred: The Gift @ParkTheatre
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It’s a clear night in Coley’s Point, Newfoundland, a quiet and remote fishing village, in 1926. Mary Snow is stargazing, waiting for her fiancé to return. However, she is interrupted by the unexpected return of Jacob Mercer. He had left her to go to Toronto a year earlier without even a goodbye, and he seemed determined to win her back.
But here we find them back together for one night only. There is an urgency in this piece underscored by circumstance, the imminent return of Mary’s suitor and the performances. Joseph Potter is a charismatic and endearing Jacob with his alternating charm, serenading and scrappy manner. Bryony Miller is a poised Mary. But believable in her economic position and ability to offer the 1920s equivalent of a devastating put-down.
Mim Houghton’s simple production of lightbulbs, a bench and mulch, with Neill Brinkworth’s lighting, is evocative of the summer house in Coley’s Point. You feel like you are in the garden with the pair rather than upstairs from a closed pub on a busy London road.
As a piece that captures a time and place and a spirit of troubled young love, it’s an entertaining opener for the new year.
Directed by Peter Kavanagh, Salt-Water Moon is having its UK premiere at the Finborough Theatre and is playing now until 28 January.
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Production photos by Lucy Hayes