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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

My night with mum and me sisters: Straight and Narrow @abovethestag


Update: since posting, Above the Stag has announced its permanent closure

Above the Stag Theatre is going all retro with a revival of Jimmie Chinn's Straight and Narrow. Before the show begins, clips from television programmes and commercials are playing from the period to get you in the mood. In case you need to know (or be reminded) about what living in the eighties was like. And while time may not have been too kind to this piece with its views on women and foreigners, this production manages to create a vivid portrait of family dynamics in Manchester.

Set in the 1980s in Manchester, Bob (Lewis Allcock) and Jeff (Todd Von Joel) are long-term boyfriends who also have a successful business installing kitchens. But spending years together doing the same thing every day, they seem stuck in a rut. A trip to Malta is an opportunity to do something differently. But the trip didn't go as either of them was expecting. Things get a bit explosive and emotional on the return. And Bob's mother and two older sisters are there to observe the proceedings. Sex doesn't feature. There's only a passing reference to the AIDS epidemic. And the focus on the family dynamics makes it less My Night with Reg and more My night with mum and my two sisters and their husbands.

Bob also serves as a narrator of the proceedings as time jumps forward and back throughout, explaining how things came about. But the narration also comes with observations and generalisations that seem awkward and dated nowadays. Bob's description of how he longs for food that not even a Wetherspoons would serve these days sounded hilarious. And his craving for a holiday in Blackpool seems quaint in the era of package holidays and massive disruption at Manchester airport.

And while not all the family dynamics are always believable, there are some touching moments too. There's a tacit acknowledgement that even though Bob can't be open and honest to everyone in his family, they love him all the same. 

The production is incredibly detailed, getting the period pieces right. With pastel colours and furnishings, Bob and Jeff's home looks and feels so eighties. You don't often see this amount of detail in a fringe production in London. It's also impressive, given the production only had a week to put everything together.

Directed by Mark Curry, Straight and Narrow was at Above The Stag.

⭐️⭐️⭐️⭐️


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