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Showing posts from April, 2021

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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e
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Streams of observations: Tales from the Front Line @TalawaTheatreCo

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The final films in the online series from Talawa Theatre Company’s Tales from the Front Line are now available. The series uses verbatim interviews with Black key workers to explore what it’s like living in Britain today. The pandemic, Windrush Scandal, Black Lives Matter are all reference points to suggest that the post-pandemic world should be a different one.  One of the new episodes features Adjoa Andoh, as a teacher with vaccine hesitancy. Yet among the disinformation and noise that’s enough to fill Oxford Street on a Saturday afternoon, she decides to protect herself and get vaccinated. Since sometimes, all her children need is a hug.  Tales From the Front Line aims to create a record of the stories of Black people on the front line of the Covid crisis and designed as space for Back workers to share their experiences. Black artists and creatives have then taken the testimonies to convey stories with music, performance and choreography. The final series of films are available fro
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Resilient streams: Safe @HackneyEmpire

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Titling a piece "Safe" at the moment evokes all sorts of meanings. Is it about going out in London? Is it about social distancing and testing? Is it about the latest vaccine? But don't one needs not have a pandemic.  Here, safe is about the basic need for young people to grow up in a safe and supportive environment. Particularly when they are discovering that they lesbian, gay, bi, trans or queer.  In this verbatim piece, writer Alexis Gregory weaves together a series of stories about the lives of young people and the fine line between being accepted and being on the street. The young people are trying to find their identity while their families, religion, race and class are forcing them to be categorised, classified and standardised into something else.  Taken from interviews with young people met through the Albert Kennedy Trust (AKT) with live music and additional words by poet Yrsa Daley it sets out how easy it can be to fall into poverty, abuse and addiction without
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