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Showing posts from March, 2021

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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against
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Stream of conscious: Black Matter

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With theatre's closed over the past year and creatives out of work, it's not surprising to see that with everything going on, there's plenty to write about. Or put into a song cycle. Actor Giles Terera presents his new song cycle Black Matter inspired by the events he saw on London's streets in a streamed concert event this month.  Living in London's Soho over the past summer of lockdown, Black Lives Matter, Eat Out To Help Out provided plenty of inspiration for observations about being a black man in Britain today. He notes that "I saw Soho shift from deserted tranquillity, where the only sounds were birds and church bells to the noise and heat of demands for social justice and civil unrest. I saw couples and families sneaking bike rides, and I saw violence – protests and peacemakers, homelessness and empty properties. People helping each other and people hurting each other. I saw confusion and hope and strength." The topics vary from deportations and th
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Random doubts and gaslighting: Late Night Staring at High Res Pixels

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Sending a semi-naked photo to a boyfriend sets off a chain reaction of events between two women in Athena Steven's Late Night Staring at High Res Pixels . Is it a case of overthinking everything or is some power game at play? Writer Athena Steven's has repurposed her play into a streamed online event split into mini-episodes released every night over February. Now that we're in March, you don't have to deal with the suspense of waiting for the next instalment, and you can binge it all in one sitting online. It feels like a part drama, part theatre at home and part paranoia. The story unfolds through monologues from the two women. They don't have names other than the girlfriend (Evelyn Lockley) and the best friend (Stevens). What brings them together is a man who turns out to be bringing out their darker side. They begin to question everything, and what slowly emerges is a tale of power and control.  It's imaginatively captured on stream on the YouTube platform.
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