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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

A matter of laughs and death: Good Grief

Another week in lockdown passes. The chances of theatres reopening anytime soon still seem remote. And so experiments with the possibilities for theatrical streams continues with Good Grief

Theatre streams have been filmed plays, staged readings or even staged like a zoom meeting. Good Grief plays with the feeling of a staged production. Scene changes and props are moved around on camera and titles pop up on screen to set the scene. 

It opens at the end of a party. It looks like it's been a big night of drinking and going on. But it turns out that it was after a wake. In between sorting out the mess from the party Cat (Sian Clifford) and Adam (Nikesh Patel) stumble around the topic of losing someone they both loved to cancer.

The piece tracks Cat and Adam coming to terms with their loss, their feelings of guilt about leaving things not the way they had hoped. And they're trying to navigate the niceties and expected behaviours following a death in modern Britain. What's the best way to distribute the belongings of someone who has died? Should atheists have funerals in a church? Is pink underwear a sign of moving on?

Clifford and Patel create an intimate and funny portrayal of two people with a past. They're muddling through to find a way forward and move on. With or without shagging each other. There's also an honesty in the writing and performances that draw you into it. And of course, Clifford being of Fleabag fame, gives the piece a jolt of star power.

A piece about Grief and loss, even a funny one, may not be everyone's idea of a good time during a pandemic. But on the other hand, although so many people have died in the past year, it seems abstract. Here death and its impact on those around it is front and centre. 

Written and created by Lorien Haynes and directed by Natalie Abrahami, it is available to stream from 15 February on Original Theatre Online. It’s also worth checking the other productions available to stream on the site as well.

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