Featured Post

He had it coming: Burnt Up Love @finborough

Image
Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

A matter of laughs and death: Good Grief

Another week in lockdown passes. The chances of theatres reopening anytime soon still seem remote. And so experiments with the possibilities for theatrical streams continues with Good Grief

Theatre streams have been filmed plays, staged readings or even staged like a zoom meeting. Good Grief plays with the feeling of a staged production. Scene changes and props are moved around on camera and titles pop up on screen to set the scene. 

It opens at the end of a party. It looks like it's been a big night of drinking and going on. But it turns out that it was after a wake. In between sorting out the mess from the party Cat (Sian Clifford) and Adam (Nikesh Patel) stumble around the topic of losing someone they both loved to cancer.

The piece tracks Cat and Adam coming to terms with their loss, their feelings of guilt about leaving things not the way they had hoped. And they're trying to navigate the niceties and expected behaviours following a death in modern Britain. What's the best way to distribute the belongings of someone who has died? Should atheists have funerals in a church? Is pink underwear a sign of moving on?

Clifford and Patel create an intimate and funny portrayal of two people with a past. They're muddling through to find a way forward and move on. With or without shagging each other. There's also an honesty in the writing and performances that draw you into it. And of course, Clifford being of Fleabag fame, gives the piece a jolt of star power.

A piece about Grief and loss, even a funny one, may not be everyone's idea of a good time during a pandemic. But on the other hand, although so many people have died in the past year, it seems abstract. Here death and its impact on those around it is front and centre. 

Written and created by Lorien Haynes and directed by Natalie Abrahami, it is available to stream from 15 February on Original Theatre Online. It’s also worth checking the other productions available to stream on the site as well.

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre