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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

The woke and the trolling: Scrounger @Finborough

Athena Stevens

Athena Stevens takes her experiences with an airline that damaged her wheelchair and refused to pay for a replacement into a sharp and an incisive piece on how discrimination affects disabled people. The incident led to her confinement in her flat in Elephant and Castle for months while she tweeted about the experience and gained media attention. And was called a scrounger by the usual band of internet trolls. It’s currently playing at the Finborough Theatre.

It's an exciting piece of storytelling that puts you in her shoes. Stevens is a detailed storyteller, and she expertly covers the everyday ordeals that people with disabilities face. From the passive aggressive remarks uttered by flight attendants to friends who have trouble thinking that Elephant and Castle is a part of central London. It's all told with humour, warmth and a healthy amount of outrage.

Athena Stevens and Leigh Quinn
While the case was eventually settled, she explains as far as her non-disclosure agreement allows, how people, including liberal-minded theatregoers, are accomplices in disability discrimination. It seems that in the era of woke, it doesn't always translate into woke actions.

She is assisted by Leigh Quinn who plays a series of supporting characters. What emerges is of conflict avoiding able-bodied people, poorly written regulations and general ignorance and indifference.

Adding to the intensity of the story is the inventive use of sound effects from sound designer Julian Starr, and directed by Lily McLeish, the piece moves through events quickly.

You don't need to look far to see disability discrimination in the real world either. The Finborough Theatre no longer has accessible toilets since the Finborough Arms pub (which share the building) ripped them out. There is now a small kitchen serving bog-standard food in their place. Welcome to 2020. No accessibility but plenty of chicken wings and scampi.

Scrounger is at the Finborough Theatre until 1 February. But this is a show that feels like it should have a longer life, either as a transfer or adaptation for television.

⭐️⭐️⭐️⭐️



Photos by Nick Rutter


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