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Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

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It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

Mind the gap: One Under @arcolatheatre

Winsome Pinnock’s play, One Under revisits the aftermath of a young black man’s suicide on the London Underground. The pieces of his life are recreated in search of meaning. It’s a fascinating (albeit slowly paced) tale about a life not lived. Produced by Graeae, which specialises in placing deaf and disabled artists on stage alongside Theatre Royal Plymouth, it’s been on tour before settling in for a short run at the Arcola Theatre.

He’s Sonny by name and by nature. But something isn’t quite right. He thinks people follow him and watch him. He has lots of money too. Is he paranoid, or are there darker forces at play?

After his death, the tube driver of the train that killed him, Cyrus (Stanley J Browne), goes on a mission to find sense out the senseless loss of life. Befriending his adopted mother and tracking down he is girlfriend at a laundrette, his determination to make sense of it all starts to become an obsession itself.

The play underscores that despite appearances, you never can really be sure about what is going on in people’s minds. And there are some insightful observations about the pressures on young black men in London.

It also has a simple yet effective set design that doubles as modern home furniture or platforms underground with announcement boards (that also serve as screens captioning the dialogue).

But the leisurely and fragmented nature of the intertwining stories can be a little frustrating at times. Directed by Amit Sharma, One Under is at the Arcola Theatre until 21 December.

⭐️⭐️⭐️



Photos by Patrick Baldwin

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