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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Space travel’s a drag: Escape From Planet Trash @ThePleasance



The Pleasance Theatre is transformed into a dump with Sink The Pink’s Escape From Planet Trash. A high-concept, camp yet environmentally friendly take on the traditional pantomime. It’s environmentally friendly as jokes were either recycled or used sparingly. But it’s hard not to like a show that puts drag queens in space in search of trash.

Set a few decades into the future, a queer space exploration team go in search of some discarded materials on Planet Trash that they believe will help their mission. At least I think that’s what was the point. The plot wasn’t always easy to follow due to poor sound quality.

But while on Plant Trash they stumble upon Ginger Johnson and her son (Davina Cumming), the last remaining humans on the doomed planet. And the doomed world turns out to be the former planet Earth which is now floating about in an interplanetary graveyard. Meanwhile, there is some sort of evil force lurking around as it turns out the Christmas is coming.

While there were some genuinely funny moments, for a comic pantomime it felt a bit of a downer. There were long stretches with few laughs and few pantomime conventions. Perhaps the attempt at an environmental message was misplaced. The choice of music seemed tired since it was mostly from the last century. Things get a lot better in the second half, but it really underscores the piece is overlong and under-developed.

Strangely enough, the audience seemed far more familiar with the catchphrases of some of the performers. And the elaborate (albeit creaky) sets were inspired. But if you are unfamiliar with the output of the performers, it’s more of a bewildering Christmas pantomime experience rather than an alternative one.

Directed by Ginger Johnson with musical direction by Sarah Bodalbhai, Escape From Planet Trash is at The Pleasance until 22 December.

⭐️⭐️⭐️


Photos by Ali Wright

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