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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Space travel’s a drag: Escape From Planet Trash @ThePleasance



The Pleasance Theatre is transformed into a dump with Sink The Pink’s Escape From Planet Trash. A high-concept, camp yet environmentally friendly take on the traditional pantomime. It’s environmentally friendly as jokes were either recycled or used sparingly. But it’s hard not to like a show that puts drag queens in space in search of trash.

Set a few decades into the future, a queer space exploration team go in search of some discarded materials on Planet Trash that they believe will help their mission. At least I think that’s what was the point. The plot wasn’t always easy to follow due to poor sound quality.

But while on Plant Trash they stumble upon Ginger Johnson and her son (Davina Cumming), the last remaining humans on the doomed planet. And the doomed world turns out to be the former planet Earth which is now floating about in an interplanetary graveyard. Meanwhile, there is some sort of evil force lurking around as it turns out the Christmas is coming.

While there were some genuinely funny moments, for a comic pantomime it felt a bit of a downer. There were long stretches with few laughs and few pantomime conventions. Perhaps the attempt at an environmental message was misplaced. The choice of music seemed tired since it was mostly from the last century. Things get a lot better in the second half, but it really underscores the piece is overlong and under-developed.

Strangely enough, the audience seemed far more familiar with the catchphrases of some of the performers. And the elaborate (albeit creaky) sets were inspired. But if you are unfamiliar with the output of the performers, it’s more of a bewildering Christmas pantomime experience rather than an alternative one.

Directed by Ginger Johnson with musical direction by Sarah Bodalbhai, Escape From Planet Trash is at The Pleasance until 22 December.

⭐️⭐️⭐️


Photos by Ali Wright

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