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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Last orders: We Anchor In Hope @BunkerTheatreUK


The only thing missing when you walk into The Bunker and see it transformed into a working pub is the smell. That unmistakable smell of stale beer that permeates those old places is missing. But everything else is there. The worn carpet, the pool table, the tat on the walls. It's a terrific way to set the scene for the next two hours of comedy and drama that is Anna Jordan's We Anchor In Hope.

Set on the last night of the Anchor, a pub trapped in the eighties when it's 2016 and located somewhere around Pimlico in London. The pub's been sold and about to be redeveloped into luxury flats (or perhaps a Tesco Express). The night before it was packed for the formal closing. But on the final night, a couple of regulars, the bar staff and landlord get together for one last time. But as the bar slowly runs dry and everything is cleared out (even the Aperol), things take a darker turn. And what's revealed is less of a community than a series of frustrations and unrealised dreams.

As the humour and lightness of the first half give way to something darker, it becomes a challenging piece to enjoy. But the ensemble works hard to provide the characters with likability and heart even as their motivations become more transparent.

In the last twenty years, a quarter of all UK pubs have disappeared, with two still closing every day. Changing tastes, higher prices, business rates, taxes and smoking bans have all been blamed for contributing to the demise. But what is really amazing is how long traditional pubs have lasted over the years. And what’s great about this piece is that in its own way it explains why.

Directed by Chris Sonnex, We Anchor In Hope is at The Bunker until 19 October. The pub will also be open for drinks, quizzes and karaoke after the show too. Cheers.

⭐️⭐️⭐️⭐️



Photos by Helen Murray

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