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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Gone to the dogs: The Border @TCLive


You know things have really gone to the dogs when four-legged friends are being rounded up and used as collateral. The dogs are used by migrants to pay to escape to a better life in East Oolia. Such is the slightly absurd but strangely familiar tale called The Border by Afsaneh Gray. It’s just finished playing at the Peckham Theatre but continues touring other sites and schools.

It opens with a young girl from the fictitious town of East Oolia called Julia. She’s just lost her dog as a border wall went up to divide East and West Oolia, and he ended up on the wrong side of the fence. The mayor did it to deliver on an election promise and to stop those West Oolians taking jobs from the East Oolians (or something like that). As Julia embarks on a quest to find her dog, she stumbles into a divided country. Her own family is divided, and immigration and crime (in the form of dog theft), is spiralling out of control.

Things get really interesting towards the end when the actors break the fourth wall and ask the audience about where they get their political views. Naturally being in the comfort and surroundings of the inner London the bubble, you can imagine what people would say about today’s politics. But the discussion quickly came to a consensus about the need to better understand different points of view and finding a middle ground. If only BBC Question Time could find such thoughtful audiences.

As an allegory for current day politics where hashtags and shouts of traitor replace thoughtful debate, it’s funny and engaging. As the dogs from the show say, all they’re after is “a patch a grass to piss on.” Maybe that’s a philosophy we could all try and live with instead of trying to keep pissing on each other.

Directed by Natalie Wilson, The Border continues touring schools and venues across the UK. Check their website for details.

⭐️⭐️⭐️



Photos by Jack Barnes

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