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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

I see a river: The Fishermen @Trafstudios

 
A Booker-Prize nominated novel by Chigozie Obioma about families, vengeance and fate, is adapted into a two-hander play and currently playing at the downstairs space at Trafalgar Studios. It’s an intense, haunting and brisk adaptation by Gbolahan Obisesan of two men reunited after a tragedy.

A prophecy of foreboding trouble haunts four brothers living in a small Nigerian town. Two brothers, Ben (David Alade) and Obembe (Valentine Olukoga), secretly fish at a forbidden river along with their two older brothers. They risk both their lives and angering their father by fishing there. Until one day, they come across a madman who changes their lives permanently.

It opens with the two brothers meeting on either side of a riverbank. Some time has passed, and their reunion at first brings joy. And then takes a darker turn as family relationships, guilt and superstitions are remembered.

As the two storytellers, Alade and Olukoga bring humour and warmth to their roles as they portray a variety of characters. Even if you’re not entirely sure what you are seeing. Those familiar with the book may be on firmer ground. But the confusion doesn’t always distract from the journey.

It’s imaginatively staged by designer Amelia Jane Hankin. A real barrier of meandering sandbags and poles splits the stage becoming the divide. But it’s also the tools for fishing and much more.

Directed by Jack McNamara, The Fishermen from New Perspectives theatre company is at Trafalgar Studios until October 12.

⭐️⭐️⭐️⭐️


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