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Searching undeterred: The Gift @ParkTheatre

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I recently had a few parcels go missing from where I live. The first parcel disappeared without a trace. The second parcel's contents were removed, and the box was left alone in the lobby. It's one of the things that you have to put up with living in central London. Apart from complaining to the delivery company and filing a police report, it crossed my mind to think about what would happen if I sent myself something rather unpleasant for a future parcel thief to open up. Well, Dave Florez's new work, The Gift, is in this line of thinking, except that the lead receives an anonymous gift of a turd in the mail rather than sending it to himself. It is lovingly gift-wrapped in a cake box from a posh north London bakery. It's a fascinating and hilarious three-hander currently playing at Park Theatre .  Colin (Nicholas Burns) is a little obsessive at the best of times. He doesn't let things drop quickly and is obsessed with the details behind anything and everythi...

Fluffing it: Rouge @Underbellyfest

It's not enough for a circus act nowadays to offer a series of acrobatic feats. Nowadays, they are pushing all sorts of conventions. There's the all-male, the all-female, the all minimalist. Rouge is the all gender fluid pan-sexual circus for grown-ups who like a bit of everything. But only if that everything includes a little bit of nudity and a bit of mild titillation. 

The men wear eyeliner, the pairings are male-female, male-male and female-female.  Strong female types abound throughout. It's a unique concept that's marred by its own timidity. It's currently playing at the Underbelly Festival on the Southbank.

The performers are interesting enough. There's the aerial trapeze, the ring, and the strap. All are deftly executed. There's a terrific flame swallowing routine which seems all the more intense in the confines of the Spiegeltent.

An inventive sequence happens where the performer is wearing a lampshade and combines hula hoops with a frantic strip dance with electric lights. Full of frenetic energy and timing, it's a feat of electrics and anxiety. 

And then there's a dominatrix sequence with a whip, carrot dildo and pony sex slaves. Having seen Cate Blanchett earlier this year lube up with a strap on at the National Theatre, it seemed slightly anticlimactic. 

But despite some great individual performances, something is amiss in the show. The comedy misfires and the production values are poor. Performers were mostly flatly lit. There was much  pointless strobe lighting. And the soundtrack accompanying the piece could have been lifted from commercial radio. If you're going to hold the undivided attention of an audience (so they don't keep wanting to head to the bar), the show needs to shock and amaze on every level. Hopefully, their next outing is more unconventional. 


Rouge is at the Underbelly Festival on the Southbank until 15 September. 

⭐️⭐️⭐️


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