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Showing posts from September, 2019

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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e
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Previews: Danelaw @ORLTheatre

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Written fifteen years ago as an absurdist comedy, a portrayal of an attempt by a far-right group to set up a white-supremacist state in East Anglia could today be seen more like a documentary of today’s troubling times. But there is nothing like a funny and timely reminder of the deadly threat that far-right groups still pose to this country.   Partially inspired by the neo-Nazi group Combat 18’s attempts to set up such a homeland in the 1990s, it follows an MI6 agent’s attempt to infiltrate the group.  But a funny thing happens on the way to set up a white-supremacist enclave as a gruesome murder is committed on some waste ground in Harlow. Well, Rome wasn’t built in a day either. But Peter Hamilton’s play, Danelaw is currently playing at the Old Red Lion Theatre until 5 October. See it and laugh nervously... 
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I see a river: The Fishermen @Trafstudios

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  A Booker-Prize nominated novel by Chigozie Obioma about families, vengeance and fate, is adapted into a two-hander play and currently playing at the downstairs space at Trafalgar Studios . It’s an intense, haunting and brisk adaptation by Gbolahan Obisesan of two men reunited after a tragedy. A prophecy of foreboding trouble haunts four brothers living in a small Nigerian town. Two brothers, Ben (David Alade) and Obembe (Valentine Olukoga), secretly fish at a forbidden river along with their two older brothers. They risk both their lives and angering their father by fishing there. Until one day, they come across a madman who changes their lives permanently. It opens with the two brothers meeting on either side of a riverbank. Some time has passed, and their reunion at first brings joy. And then takes a darker turn as family relationships, guilt and superstitions are remembered. As the two storytellers, Alade and Olukoga bring humour and warmth to their roles as they port
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Fluffing it: Rouge @Underbellyfest

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It's not enough for a circus act nowadays to offer a series of acrobatic feats. Nowadays, they are pushing all sorts of conventions. There's the all-male, the all-female, the all minimalist. Rouge is the all gender fluid pan-sexual circus for grown-ups who like a bit of everything. But only if that everything includes a little bit of nudity and a bit of mild titillation.  The men wear eyeliner, the pairings are male-female, male-male and female-female.   Strong female types abound throughout. It's a unique concept that's marred by its own timidity. It's currently playing at the Underbelly Festival on the Southbank . The performers are interesting enough. There's the aerial trapeze, the ring, and the strap. All are deftly executed. There's a terrific flame swallowing routine which seems all the more intense in the confines of the Spiegeltent. An inventive sequence happens where the performer is wearing a lampshade and combines hula hoops with
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