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Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

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It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

The man with the banana: Flinch @ORLTheatre


Flinch is a play about gender roles. But it’s also a timely reminder that you date actor-writers at your own peril. As you never know if you’re going to be the material for their next piece. Emma Hemingford writes and co-stars in this piece about modern relationships which is having its debut at the Old Red Lion Theatre.

She plays Jess, an actor of sorts struggling with auditions and lecherous directors. Mark (Joseph Reed) works in the city as a trader. Just as they move in together into his Bethnal Green flat, an incident happens. A violent mugger appears and threatens them both. Mark flinches (or according to Jess screams and runs away, leaving her alone). It turns out it was a bit of a joke since the mugger was brandishing a banana (and wearing a pretty camp t-shirt).


But this sets in motion a series of innocent conversations that lead into darker territory about the disappointments they have with each other.  The piece works at it’s best during these conversations. And it highlights how one moment can begin to unravel everything. Hemingford is terrific as smiles so innocently, probing Mark and challenging his masculinity. Reed is more than her match on the defensive or trying to work through what role he should be playing as a modern man.

There are dreamlike interludes where the camp man with the banana appears (Andrew Armitage). He’s clearly on their minds, but you figure he’s the catalyst for a more meaningful discussion the two need to have. Slowly the couple realises that they don’t belong together. Except in a play. Which she writes in the end and presents to him.

So a play about a relationship that ends up to be about writing a play about their relationship feels like it's a pretty meta experience. But definitely

Directed by Rosalind Brody, Flinch is at the Old Red Lion Theatre until 15 June.

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Photos by Ali Wright

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