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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Swatting: The Flies @BunkerTheatreUK


The Flies at The Bunker theatre is a chance for production company Exchange Theatre - which specialises in translating plays for English audiences - to return to the piece that put them on the map. With live music, video and eye-catching design, it’s an ambitious piece. But it seemed to miss any sense of drama. And it’s star actor Meena Rayann was off too.

Jean Paul Satre’s take on the Oresteia and the Electra myth, was written during the Nazi occupation of France. Fast forward seventy years, it's tempting to equate today’s new nationalists with yesterdays fascists. But it's a lazy comparison given the grand themes under exploration here. It feels more like an apparent dig at Nazi occupation, organised religion or group think over fake news, immigrant bashing and economic hardship.


It opens where two travellers approach Argos, a town where everyone is in mourning. One is Orestes in disguise. The city has become a dark place cursed with flies as punishment from the Gods since the murder of their king, Agamemnon. But Orestes is about to change that with the help of his sister, Electra.

The production uses video, live music and various theatrical tricks. But it feels heavy-handed in its execution. Flags from the city look like a reality television logo. Shouting and great expressions are the default position. When the flies arrive it’s more a cue for cast hysteria. Which seems unintentionally funny. Nothing is particularly subtle here.

It’s too bad as it's great that there are companies out there dedicated to translating plays into English, allowing London audiences to see works from around the world. Perhaps this one is of a time and place that has passed.

Directed by David Furlong, The Flies (or Les Mouches) by Jean-Paul Sartre is at The Bunker Theatre until 6 July. Check the website for dates when it's playing in English and French.

⭐️⭐️⭐️



Photos by Camille Dufrenoy


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