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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Bit of a scuffle: Custody @ovalhouse


Custody has returned to the Ovalhouse Theatre following an earlier run there. Seemingly taken from the headlines, it follows the fallout from after black man in south London was arrested and then dies in police custody.  “There was a bit of a scuffle, and I’m sorry to say he passed away,” Informs the police officer arriving at the home.

And then his family and his lover are left behind to pick up the pieces and pull together the strands of information about what happened. It’s a powerful piece inspired by creator Urban Wolf’s experience with the police and written in collaboration with Tom Wainwright.


Part poetry, dreams, reality and anger, a series of short scenes come together to paint a picture of how the system is against people from the start if they don’t look or act the right way. Written at the time of the Independent Police Complaints Commission (which has since been replaced by the Independent Office for Police Conduct), it details the petty bureaucracy and general ineffectiveness of the body as the family seeks justice while grieving. 

It’s evocatively staged with the cast surrounded by a makeshift memorial of candles, flowers and soft toys trying to remember the loss. There’s plenty of energy from the four cast members, and there’s also plenty of humour. While justice for a life cut short may be elusive,  a life celebrated and remembered endures. 

But you leave the theatre unsure whether the lessons from the past have yet to be learned. You Laws and government bodies can come and go, but ignorance can be all-pervasive.
Directed by Gbemisola Ikumelo, Custody is at Ovalhouse Theatre until 22 June.

⭐️⭐️⭐️⭐️

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