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Brief awakenings: White Rose The Musical @MaryleboneTHLDN

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A fascinating and daring act of defiance in Nazi Germany by a group of university students in Munich is given a slightly perplexing rock musical treatment in White Rose, the musical. Something seems amiss in this earnest and occasionally tuneful show. It lags more than it inspires, which is surprising given the tragic and compelling history of the real-life characters the show depicts. Given that young people are increasingly likely to vote for far-right parties across Europe, it’s an opportunity to look at a time when they had a different perspective on the future. Perhaps something has been lost in the translation or the larger space of the Marylebone Theatre where it plays.  The White Rose were a group of university students in Munich who sought to undermine the Third Reich through publication of a series of pamphlets urging passive resistance to the Nazi regime. Over a brief period between June 1942 and February 1943, they distributed their pamphlets across campus using ...

Age of innocence: Country Music @Omnibus_Theatre


The latest instalment of the Up series landed this week. It tracks the lives of a bunch of unrepresentative British people every seven years. Fascinating in its ordinariness and irritating by director Michael Apted's random and pompous commentary, it was on my mind as I was watching Country Music. It's a much more subtle exploration on how people change over time. Or at least your perception of them. And how your life can be shaped from your early years in ways you can never appreciate. It's currently playing at the Omnibus Theatre.

Jamie (Cary Cranson) and his girl from school, Lynsey (Rebecca Stone) are in a car Jamie has stolen. Along with a large bag of crisps. It's 1983, and they're just out of school. They talk about getting away and the benefits of different flavours of crisps. But beneath the surface, something isn't quite right. Jamie has a short fuse. There's talk about a mighty fight. And soon, Lynsey is scared.


Things jump forward a few years, and Jamie is in prison. His brother Matty (Dario Coates) is visiting. Talk shifts soon to the cause of his incarceration, and the sacrifices Jamie has made, including to protect his little brother. Next, we see Jamie out of jail but confined to a bedsit. His daughter, Emma (Frances Knight) visits out of curiosity, much to the disappointment of Jamie.

Through the careful positioning of the characters, your sympathies and understanding of Jamie shifts during the piece. Jamie, at the outset, seems dangerous to himself and everyone around him. But he isn't a monster. It's a smart piece of writing that the cast serves well, particularly by Crankston who sensitively portrays Jamie from thug to broken man.

Written by Simon Stephens and directed by Scott Le Crass, Country Music is at the Omnibus Theatre until 23 June.

⭐️⭐️⭐️⭐️

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