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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Rough trade: Market Boy @theuniontheatre


In Market Boy, the market is free and full of life lessons. Never dull. There’s no time to dwell on why you’re there as there’s merchandise to move and money to be made. And maybe a girl to impress. It's currently playing at the Union Theatre.

The show opens in the early 1980s at Romford Street Market. It’s the era before online deliveries and fashionable farmers markets selling fresh produce. This is a rough trade. And Boy (Tommy Knight), lands a job selling women's shoes. Under the apprenticeship of Trader (Andy Umerah), he learns a thing or two about shoes, selling to the women of Romford, and closing a deal.

David Eldridge’s play, first seen at the National Theatre over ten years ago, whisks you on a journey through the eighties from boom to bust. With over fifty characters, all are loveable rogues with hearts of gold. And they have a thing or two to teach the Boy.

What this show lacks in epic scale (or characterisation), it makes up with enthusiasm and energy from its young cast as they move through the decade changing characters, fashion and music.

There’s been a street market at Romford for as long as anyone cares to remember. It’s free-wheeling no rules approach gives you some idea why these hard working people loved Margaret Thatcher. And weren’t too keen about the European Union either. But politics isn’t the focus here. It’s the thrill of chasing the deal, no matter how small.

A slice of life set to the music of the eighties is hard to resist. Even if you’re left wondering how many of the characters nowadays are delivery drivers for Amazon. But that’s the power of the free market for you. Especially when it pays more, and you're not setting up a stall before dawn.

Directed by Nicky Allpress, Market Boy is at the Union Theatre until 11 May.

⭐️⭐️⭐️⭐️



Photos by Mark Senior


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