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Two Ladies: La Bella Bimba at Barons Court Theatre / Canal Cafe Theatre

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T hey sing. They dance. They clown around. They even wash clothes! Such is the story of La Bella Bimba, part of the Voila Theatre Festival, which highlights new and emerging artists. A tale of two Italian ladies who land in 1920s New York, trying to break into Broadway without speaking a word of English. It’s harmless, primarily even if a little nonsensical, and is currently playing as part of the Voila! Theatre Festival .  I caught the performance at the Barons Court Theatre , where the intimate setting created an evocative atmosphere reminiscent of dark New York alleyways. The space was almost claustrophobic with a distinct smell of rising damp, making you feel immersed in the story of two Ladies hanging around the theatre doors of Broadway. On the plus side, the theatre has some of the most comfortable seats you will find in any pub theatre in London. As the naive and hopeful singers, Co-creator Lucrezia Galeone as Carlotta and Sarah Silvestri as Cecilia are fine singers with co...

Attracting attention: Amour @charingcrossthr


Amour is about the brief charming life of an ordinary man who discovers he can walk through walls in 1950s Paris. With music by Michael Legrand, it’s a whimsical fantasy that it’s hard to dislike. As the piece says, “There’s magic in the air” even if the lyrics translated into English bring the piece crashing back to reality. It’s having its UK professional premiere at Charing Cross Theatre.

At the centre of the piece is an earnest young man Dusoleil (Gary Tushaw), who lives alone in a flat in Montmartre, dreaming about his neighbour Isabelle (Anna O’Byrne), who is married. He’s a hard worker in the civil service who gets his work done so he can write a letter to his dear mother. But one day during a power outage he discovers he can walk through walls. So he decides to put his new talents to good use to become a latter-day Robin Hood, winning the hearts of the locals and Isabelle.

The lyrics become predictable that it’s tempting to play a guessing game. You just know when the lead sings about making an “appointment” to see a doctor he expects to get an “ointment”. The obvious relentless rhyming makes it feel like you’re trapped in a not so fun children’s book.


But it’s so imaginatively staged in the traverse setup in the Charing Cross Theatre. There are street lamps, bicycles and bright effects to create a fantasy-Paris world. It’s also sung with precision by the small cast playing multiple characters.

Tushaw with his nerdy looks and vocal abilities makes for a wonderful hero. He’s well-matched with O’Byrne as the woman trapped in a loveless marriage. She dreams of meeting the mysterious man who is helping the people of Paris. But her initial disappointment is palpable when she realises her hero is a nobody. He’s not the man she envisaged. It’s a magical moment of theatre that underscores this musical is a fantasy on many levels.

Directed by Hannah Chissick, Amour is at Charing Cross Theatre until 20 July.

⭐️⭐️⭐️⭐️



Photos by Scott Rylander

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