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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Animal Urges: Awkward Conversations with Animals I F*cked @kingsheadthtr


Awkward Conversations with Animals I’ve F*cked certainly has an evocative and attention-grabbing title. There’s also an animal-like performance by Linus Karp. He’s part awkward young man, part woodland creature and so he holds your attention. But once you realise the animals are real the rest becomes a letdown. It’s less awkward conversations and more repetitive conversations. The species changes but it’s the same story. It’s currently playing at Kings Head Theatre. 

It opens in what looks like a student dorm room. Dirty sheets, dirty clothes and food are strewn across the floor. And Bobby is lying there on the bed. It’s the morning after the night before. And then he starts talking. Soon you realise that the trying on the dog collar is not quite role-playing. 



Next, he moves on to conversations with cats. Then sheep, monkeys and bears. Sure the conversations touch on his life and loneliness. There’s a hint about mental illness. But none of this is particularly convincing. The attempt to highlight some form of double standard re the treatment of animals and what’s socially acceptable regarding sex was unintentionally funny. And seemed to draw awkward silence from the audience rather than laughs. I was hoping that he’d contract anthrax or some sort of interesting bacterial infection after one of the encounters. At least that would give some perspective to the scenes. 

This show was a hit at Edinburgh. It’s the kind of high-concept, edgy sort of thing people seek out there. But removed from this context it seems like a curiosity more than a comedy. 

Directed by Katherine Armitage, Awkward Conversations with Animals I’ve F*cked is at the Kings Head Theatre until 27 April.

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Photos by Simon J Webb

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