Featured Post

The brown word: Death on the Throne @gatehouselondon

Image
We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

A class of their own: HMS Pinafore @KingsHeadThtr




Charles Court Opera's production of Gilbert and Sullivan's HMS Pinafore takes life below deck to a new level. Set on a bright yellow submarine in the 1960s, it is a treat. Particularly with some excellent vocal singing from the small cast. It's currently playing at the Kings Head Theatre.

As a satire on the enduring preoccupation by the English on class, the piece never feels dated. So shifting the time and place doesn't seem such a bad thing. It's full title HMS Pinafore, or, the lass that loved a sailor pretty much sums up the story. The captain of the HMS Pinafore intends his daughter to marry the first Lord of the Admiralty, but she is in love with a lower-class sailor.

Here with a small cast while the chorus is reduced, it allows us to focus on the main action. And the music under the direction of David Eaton on keyboard. The cast works well to balance the demands of the music with the comic elements of the piece.


As the lovestruck sailor Ralph Rackstraw, Philip Lee has a strong tenor voice and some excellent comic timing. Alys Roberts as the Josephine, the captain's daughter is also vocally strong.  Joseph Shovelton is perfect as the somewhat ridiculous and under qualified First Lord of the Admiralty.

Last week while watching the show that has been following it, I found myself distracted by wondering what those unusual shapes and bits concealed behind a black curtain were. Set and costume designer Rachel Szmuckler has created a unique and detailed look for the show. Complete with bunk beds, periscopes and ladders.

Charles Court Opera is presenting it's tenth Gilbert and Sullivan Season at the Kings Head Theatre. It's clear they have developed a loyal following with their comic and witty adaptations.

Directed by John Savournin, HMS Pinafore is at the Kings Head Theatre until 11 May.

⭐️⭐️⭐️⭐️



Photos by Robert Workman

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre