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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

Streaming Queens: The Crown Dual @KingsHeadthtr


Even if you haven’t watched The Crown on Netflix, there’s much to be amused about in The Crown Dual. A meta-spoof on the public’s endless fascination for dramatisations about the lives of the royal family. And all things royal for that matter. It’s currently playing at the Kings Head Theatre.

The premise is that Beth Buckingham (Rosie Holt) and her dubious agent and patio specialist Stanley (Brendan Murphy) are going to recreate Beth’s showreel audition for The Crown. And prove that she would have been far more talented than that Claire Foy in the role.


And so beings a rather silly and at times hilarious recreation of the best and most preposterous bits of the first series of The Crown. With Holt or Murphy playing a range of cast members, sending up both the characters and their fictional television characterisations. Both have great comic timing and make a  somewhat regal pair.

The lives of the Royal Family often seem like the subject matter for a farce. Here it’s an entertaining journey. And a lot more fun than the dreary play A Princess Undone, which covered some of the same material as if it was of grave national importance.


The other genius in the piece is also to make fun of the emerging conventions of a Netflix television series. From the skip intro feature, over-bloated production budgets and annoying premise to introduce new characters in the final episodes (so you continue watching next year when the new series lands). It's all here to remind us that the jokes on us for watching this garbage in the first place.

Written by Daniel Clarkson of Potted Potter etc fame, and directed by Owen Lewis, this is a frightfully witty diversion at the Kings Head Theatre until 6 April.

⭐️⭐️⭐️⭐️

Photos by Geraint Lewis

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