Featured Post

The brown word: Death on the Throne @gatehouselondon

Image
We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Flying away: My Dad's Gap Year @ParkTheatre


Sometimes you just have to throw in the towel and fly out to Thailand. To hell with the consequences. At first. So is the premise In My Dad's Gap Year. But while some of the plot points might be as suspicious as the sexual antics on stage, there's a lot of heart and great performances in this piece. Written by Tom Wright, it's having its world premiere at Park Theatre.

Dave (Adam Lannon) is having a mid-life crisis. And he drinks too much. His wife Cath (Michelle Collins) has left him and is uptight teenage gay son, William (Alex Britt) is trying to enter the world of work. So what better way to get over it all by heading off to Thailand? Beside's it's supposed to be William's gap year. So why can't dad join in?

Along the way Dave falls for Mae (Victoria Gigante), who runs the bar at the beach. And there's a sexy lifesaver Matias (Max Percy) who is about to open William's eyes to a whole new world.

What at first seems to be a wild funny hedonistic romp at sex clubs and bars gives way to something much more substantial. This is not just some beautiful thing coming of age gay romance. Addiction, loneliness and discrimination (even among the LGBT+ community) are explored in thoughtful and insightful ways.

The ensemble work well together and the writing gives each of them a unique voice. The design of a raised stage and pit also gave the performers space to create for us the time and place.

The piece won't be to all tastes. The disclaimer outside the theatre didn't prepare everyone for the "adult sexual themes".  After a few full and frank scenes there were a few walk outs. But for those that like their theatre a bit provocative, a bit sexy and a bit fresh, this show is hard to beat.

Directed by Rikki Beadle-Blair, My Dad's Gap Year is at Park Theatre until 23 February.



⭐️⭐️⭐️⭐️

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...