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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...

Flying away: My Dad's Gap Year @ParkTheatre


Sometimes you just have to throw in the towel and fly out to Thailand. To hell with the consequences. At first. So is the premise In My Dad's Gap Year. But while some of the plot points might be as suspicious as the sexual antics on stage, there's a lot of heart and great performances in this piece. Written by Tom Wright, it's having its world premiere at Park Theatre.

Dave (Adam Lannon) is having a mid-life crisis. And he drinks too much. His wife Cath (Michelle Collins) has left him and is uptight teenage gay son, William (Alex Britt) is trying to enter the world of work. So what better way to get over it all by heading off to Thailand? Beside's it's supposed to be William's gap year. So why can't dad join in?

Along the way Dave falls for Mae (Victoria Gigante), who runs the bar at the beach. And there's a sexy lifesaver Matias (Max Percy) who is about to open William's eyes to a whole new world.

What at first seems to be a wild funny hedonistic romp at sex clubs and bars gives way to something much more substantial. This is not just some beautiful thing coming of age gay romance. Addiction, loneliness and discrimination (even among the LGBT+ community) are explored in thoughtful and insightful ways.

The ensemble work well together and the writing gives each of them a unique voice. The design of a raised stage and pit also gave the performers space to create for us the time and place.

The piece won't be to all tastes. The disclaimer outside the theatre didn't prepare everyone for the "adult sexual themes".  After a few full and frank scenes there were a few walk outs. But for those that like their theatre a bit provocative, a bit sexy and a bit fresh, this show is hard to beat.

Directed by Rikki Beadle-Blair, My Dad's Gap Year is at Park Theatre until 23 February.



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