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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

Come fly with me: Cuzco @Theatre503


An acquaintance came back from a holiday in Thailand recently. On his return he announced he was separating from his Spanish girlfriend. As I was watching Cuzco at Theatre 503 I was hoping the end of his affair wasn't anything like this. This is a provocative and fascinating piece about relationships and mind games in the the era of globalised tourism.

We're introduced to this Spanish couple in a bland hotel room in Cuzco. We don't know their names. She (Dilek Rose) is wearing sunglasses as she says she has a migraine. He (Gareth Jones) is wanting to go out and explore the city. But what seems like simple altitude sickness gives way to some more susbstantial. Soon angry politics, a failing relationships and colonisation is the focus of the discussion.

This two hander builds in intensity to an uneasy finale. A trip intended to escape the cracks in their relationship only serves to expand the divide between the two. Both Rose and Jones give an intimate intensity to a couple lost among the bland hotel rooms and template sights.

Max Pappenheim's sound design adds to the horrors. With it's clash of traditional and western music and creepy effects of a couple trapped in a both a tourist trap and one of their own creation. This is no  happy tale of taking off to Peru...

Víctor Sánchez's piece translated by William Gregory came about after a meeting between the two in 2016. The translation retains much of the poetry of the Spanish original. At times this can feel distracting but the message remains powerful can be jarring but the message remains provocative.

Directed by Kate O'Connor, Cuzco is at Theatre 503 until 16 February.

⭐️⭐️⭐️⭐️



Photos by Holly Lucas

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