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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Come fly with me: Cuzco @Theatre503


An acquaintance came back from a holiday in Thailand recently. On his return he announced he was separating from his Spanish girlfriend. As I was watching Cuzco at Theatre 503 I was hoping the end of his affair wasn't anything like this. This is a provocative and fascinating piece about relationships and mind games in the the era of globalised tourism.

We're introduced to this Spanish couple in a bland hotel room in Cuzco. We don't know their names. She (Dilek Rose) is wearing sunglasses as she says she has a migraine. He (Gareth Jones) is wanting to go out and explore the city. But what seems like simple altitude sickness gives way to some more susbstantial. Soon angry politics, a failing relationships and colonisation is the focus of the discussion.

This two hander builds in intensity to an uneasy finale. A trip intended to escape the cracks in their relationship only serves to expand the divide between the two. Both Rose and Jones give an intimate intensity to a couple lost among the bland hotel rooms and template sights.

Max Pappenheim's sound design adds to the horrors. With it's clash of traditional and western music and creepy effects of a couple trapped in a both a tourist trap and one of their own creation. This is no  happy tale of taking off to Peru...

Víctor Sánchez's piece translated by William Gregory came about after a meeting between the two in 2016. The translation retains much of the poetry of the Spanish original. At times this can feel distracting but the message remains powerful can be jarring but the message remains provocative.

Directed by Kate O'Connor, Cuzco is at Theatre 503 until 16 February.

⭐️⭐️⭐️⭐️



Photos by Holly Lucas

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