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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Someone to watch over me: Dangerous Lenses #dangerouslensesplay @VaultFestival


As I am writing up my thoughts on Dangerous Lenses I can see the neighbours opposite have switched on their lights. They look like they're getting ready to head out. And the people below them are setting the table for dinner. Perhaps the life of a blogger and the recluse at the centre of this piece are converging.

The premise is that Ann (Grace Chilton) who lives alone is watching the lives of her neighbours as hers goes by. But when a new tenant and his daughter move in. And the tenant says she has no daughter. Ann starts to obsess about what she saw and didn't see.

Written by Brooke Robinson and directed by Melissa Dunne, this monologue is a great exploration of loneliness and obsession in the city. Chilton is great (and a little creepy) as the lonely people-watcher.

It's enough to make you reflect on all the times you've made assumptions or watched others. Assuming you've done that sort of thing.

Papercut Theatre, presented Just To Get Married at the Finborough in 2017. They're presenting this piece along with another, Lola at the Vault Festival until 27 January. It would be possible to see both in the same evening if you're quick.

But the Vault Festival is getting started. With over 400 shows on sale it's a showcase for great new writing, theatre and comedy under the Leake Street arches at Waterloo Station. Now in its seventh year, the programme this year is wild and varied. With something for most people, it'll be running through to 17 March. Ticket prices for events start at £5.

⭐️⭐️⭐️

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