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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Camp as Christmas: Hot Gay Time Machine @Trafstudios

Watching Hot Gay Time Machine by yourself at first is a bit like being the designated driver at a party. You’re just not drunk enough to appreciate it. But this high energy, high camp, gay gore extravaganza grows on you. The piece was a hit at Edinburgh Fringe and now has a brief run on the West End in the downstairs space of Trafalgar Studios.

Written and performed by Zak Ghazi-Torbati and Toby Marlow, the time machine part of the story are the pivotal gay moments of Zak and Toby’s young lives. Mostly this involves gay sex and brief encounters in changing rooms. But from the moment Zak and Toby burst into the theatre foyer introducing themselves, the scene is set for a party of shimmying and sashaying.

The stories are set to music performed by Marlow on keyboard. His lyrics tend to be less innuendo and more in your face. But even if artistically suspect, the filthier he gets the audience only seems to appreciate it more.

Marlow with Lucy Moss had the hit show Six, which was about the ex wives of Henry VIII. That was presented as a Tudor-style Spice Girls show. Here they give us something looser here. In every sense of the word. There’s plenty of audience participation, musical theatre references and life size cut outs of Beyoncé. With all that to contend with, it’s inventive and evocative.

Definitely not for all tastes, you get the sense with such a catchy title it could be the start of an enduring act. If those tiny pink shorts can go the distance.

Co-written and Directed by Lucy Moss, Hot Gay Time Machine is at Trafalgar Studios until 5 January. This Christmas go gay.

⭐️⭐️⭐️⭐️


Photos by Pamela Raith

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