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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Camp as Christmas: Hot Gay Time Machine @Trafstudios

Watching Hot Gay Time Machine by yourself at first is a bit like being the designated driver at a party. You’re just not drunk enough to appreciate it. But this high energy, high camp, gay gore extravaganza grows on you. The piece was a hit at Edinburgh Fringe and now has a brief run on the West End in the downstairs space of Trafalgar Studios.

Written and performed by Zak Ghazi-Torbati and Toby Marlow, the time machine part of the story are the pivotal gay moments of Zak and Toby’s young lives. Mostly this involves gay sex and brief encounters in changing rooms. But from the moment Zak and Toby burst into the theatre foyer introducing themselves, the scene is set for a party of shimmying and sashaying.

The stories are set to music performed by Marlow on keyboard. His lyrics tend to be less innuendo and more in your face. But even if artistically suspect, the filthier he gets the audience only seems to appreciate it more.

Marlow with Lucy Moss had the hit show Six, which was about the ex wives of Henry VIII. That was presented as a Tudor-style Spice Girls show. Here they give us something looser here. In every sense of the word. There’s plenty of audience participation, musical theatre references and life size cut outs of Beyoncé. With all that to contend with, it’s inventive and evocative.

Definitely not for all tastes, you get the sense with such a catchy title it could be the start of an enduring act. If those tiny pink shorts can go the distance.

Co-written and Directed by Lucy Moss, Hot Gay Time Machine is at Trafalgar Studios until 5 January. This Christmas go gay.

⭐️⭐️⭐️⭐️


Photos by Pamela Raith

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