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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Trolling: A Very, Very, Very Dark Matter @_BridgeTheatre

Trolling, the art of making random, unfounded and controversial comments to provoke an immediate emotional reaction is the backbone of today’s social media. But in A Very, Very, Very Dark Matter, Martin McDonagh has decided to extend it to the theatre. Daring you to walk out in disgust with his twist on the lives of Charles Dickens and Hans Christian Andersen. He’s out to knock these men off their pedestals. Just in time for Christmas. But the show does what it says on the tin. Those who can stomach this grim stuff might walk away with something to think about. It’s having its world premiere at The Bridge Theatre.

The premise is that Hans Christian Andersen has been keeping a captured Pygmy woman he calls Marjory from the Congo in his attic. She writes his stories. He isn’t particularly talented in his own right. Hans as played by Jim Broadbent also comes across as a Jimmy Saville-like entertainer. With only a passing interest in humanity. Marjory‘s played by Johnetta Eula’Mae Ackles. She’s making her professional debut as the tough survivor and creative genius.

It turns out Marjory had a sister. Charles Dickens (Phil Daniels) kept her sister in his attic until she died half way through writing The Mystery of Edwin Drood. Dickens needed her as he didn’t have time to write as he was too busy banging broads.

And so begins a dark tale of exploitation, Belgian genocide and a little bit of revenge. Time moves back and forth. Ghosts of the past collude with the present. On one level it’s confusing and incoherent. On another level its relentlessly offensive. With foul language, casual racism and contempt for the world it’s as if McDonagh is saying the societies these noble writers represent are rotten to the core.

But even in this very very very dark tale there’s much beauty. Particularly in the strong performances and the beautiful production designed by Anna Fleischle. And towards the end there’s a hint of humanity between Andersen and Marjory. Maybe Martin McDonagh thinks there’s hope for the world afterall. Or at least during the festive season.

It won’t be for all tastes. I noted two walkouts on the night I saw it. But I suspect that’s the point. The world is no fairy tale. Directed by Matthew Dunster, A Very Very Very Dark Matter is at the Bridge Theatre until 6 January. Merry Christmas and God bless everyone.

⭐️⭐️⭐️⭐️

Photos by Manuel Harlan


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