Featured Post

The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

Image
Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Alone in this world: Jericho’s Rose @thehopetheatre

A loss of identity and being between two worlds lies at the heart of Jericho’s Rose. It’s Lilac Yosiphon’s account of a theatre maker who is trying to stay in the United Kingdom. Meanwhile her grandfather is in Tel Aviv suffering from Alzheimer’s. It’s currently playing at The Hope Theatre.

The last time I was at The Hope Theatre it was to catch the excellent Cockamamy, about an absent-minded Spam-hoarding grandmother. This time around it’s about a grandfather trying to remember who he was. It’s as if the venue is becoming the Dementia Theatre.

But this tale is also more abstract. Live music by Sam Elwin, sound loops and evocative projections weave a tale of confusion and isolation. Music, movement and background projections by Will Monk underscore the unsettling environment. For both grandfather and granddaughter. Both are struggling to find a place in the world. Both are in a state of flux.

This is a minimalist piece. Part of it’s intent is to repeat in trying to remember the past and the present. Memory plays tricks on both of them. And there is the mundane details both have to endure. For Jasmine, it’s having to follow the excruciating details to reapply for a visa for leave to remain in the UK. For her grandfather it’s trying to remember who he is and who she is. But repetition can be exhausting. For both the characters and the audience.

The reasons why Jasmine wants to remain in the United Kingdom to make theatre aren’t clear. Afterall she has to endure an awful lot of stress (and causal sex) to get there. Perhaps the Tel Aviv theatre scene is just really lousy.

But when things being to come together for both characters in the final minutes the piece soars. This is a fascinating meditation about wanting to be somewhere called home.

Directed by Lilac Yosiphon, Annie-Lunnette Deakin-Foster and Mike Cole, Jerhicho’s Rose is at the Hope Theatre until November 3.

⭐️⭐️⭐️

Photos by Lidia Crisafulli

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...