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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

When in Rome: For Reasons That Remain Unclear @KingsHeadThtr

A young screenwriter and an older priest walk into a hotel room in Rome. You just know it isn’t going to end well. But part of the suspense in For Reasons That Remain Unclear is you are never certain where things are heading. Mart Crowley’s sexually charged piece keeps you guessing. It’s having its UK premiere at The Kings Head Theatre as part of its Queer Season of theatre.

Patrick (Simon Haines) is working for Warner Brothers in Rome living out of a fabulous hotel. He meets Conrad (Corey Petersen) on the street and after a long lunch they head back to Patrick’s hotel. What then ensues is a series of mind games as faith, sexuality and secrets are explored. Conversations about the trivial meander into the personal. Then it builds into something darker.

It’s probably every gay priest’s fantasy to get picked up off the street by someone from Hollywood. But if you get past that it’s a rewarding piece, particularly given the performances. 

Haines and Petersen are terrific. They hold your attention throughout this intense and intimate show. Haine’s only has to roll up a sleeve before Petersen is nervously reaching for another cigarette. 

Only when room service arrives in the form of a sly performance by Daniele Alan-Carter is there any comic relief. 

Amanda Mascarenhas’s design makes inspired use of the space with it’s play on light from the Piazza De Spagna in 1990’s Rome. There’s a balcony, a corridor leading to a bathroom and then on what seems like a high altar is the bed. This is play that gives thanks to the higher things in life such as glorious linen sheets. 

Directed by Jessica Lazar, For Reasons That Remain Unclear is at the Kings Head Theatre until 18 August.

⭐️⭐️⭐️⭐️

Photos by Alex Brenner

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