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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

When in Rome: For Reasons That Remain Unclear @KingsHeadThtr

A young screenwriter and an older priest walk into a hotel room in Rome. You just know it isn’t going to end well. But part of the suspense in For Reasons That Remain Unclear is you are never certain where things are heading. Mart Crowley’s sexually charged piece keeps you guessing. It’s having its UK premiere at The Kings Head Theatre as part of its Queer Season of theatre.

Patrick (Simon Haines) is working for Warner Brothers in Rome living out of a fabulous hotel. He meets Conrad (Corey Petersen) on the street and after a long lunch they head back to Patrick’s hotel. What then ensues is a series of mind games as faith, sexuality and secrets are explored. Conversations about the trivial meander into the personal. Then it builds into something darker.

It’s probably every gay priest’s fantasy to get picked up off the street by someone from Hollywood. But if you get past that it’s a rewarding piece, particularly given the performances. 

Haines and Petersen are terrific. They hold your attention throughout this intense and intimate show. Haine’s only has to roll up a sleeve before Petersen is nervously reaching for another cigarette. 

Only when room service arrives in the form of a sly performance by Daniele Alan-Carter is there any comic relief. 

Amanda Mascarenhas’s design makes inspired use of the space with it’s play on light from the Piazza De Spagna in 1990’s Rome. There’s a balcony, a corridor leading to a bathroom and then on what seems like a high altar is the bed. This is play that gives thanks to the higher things in life such as glorious linen sheets. 

Directed by Jessica Lazar, For Reasons That Remain Unclear is at the Kings Head Theatre until 18 August.

⭐️⭐️⭐️⭐️

Photos by Alex Brenner

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