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The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

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A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

When in Rome: For Reasons That Remain Unclear @KingsHeadThtr

A young screenwriter and an older priest walk into a hotel room in Rome. You just know it isn’t going to end well. But part of the suspense in For Reasons That Remain Unclear is you are never certain where things are heading. Mart Crowley’s sexually charged piece keeps you guessing. It’s having its UK premiere at The Kings Head Theatre as part of its Queer Season of theatre.

Patrick (Simon Haines) is working for Warner Brothers in Rome living out of a fabulous hotel. He meets Conrad (Corey Petersen) on the street and after a long lunch they head back to Patrick’s hotel. What then ensues is a series of mind games as faith, sexuality and secrets are explored. Conversations about the trivial meander into the personal. Then it builds into something darker.

It’s probably every gay priest’s fantasy to get picked up off the street by someone from Hollywood. But if you get past that it’s a rewarding piece, particularly given the performances. 

Haines and Petersen are terrific. They hold your attention throughout this intense and intimate show. Haine’s only has to roll up a sleeve before Petersen is nervously reaching for another cigarette. 

Only when room service arrives in the form of a sly performance by Daniele Alan-Carter is there any comic relief. 

Amanda Mascarenhas’s design makes inspired use of the space with it’s play on light from the Piazza De Spagna in 1990’s Rome. There’s a balcony, a corridor leading to a bathroom and then on what seems like a high altar is the bed. This is play that gives thanks to the higher things in life such as glorious linen sheets. 

Directed by Jessica Lazar, For Reasons That Remain Unclear is at the Kings Head Theatre until 18 August.

⭐️⭐️⭐️⭐️

Photos by Alex Brenner

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