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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

Bend and snap: Circa’s Peep Show @UnderbellyFest #CircaPeepshow

Watching from the sidelines of Cira’s Peep Show feels a little dangerous at times. Other acts might splash you or have their props fly in your face. But this act feels at times like the acrobats will land in your lap. Bodies assemble. Muscles tense. Veins start to throb. Then they fall, the bounce, they appear from out of the shadows. It’s fascinating and a little bit unnerving. Particularly if you’re sitting up close to the action as a body falls toward you. Although when they do they break into a roll. It’s currently playing at the Underbelly Festival on the South Bank.

In a physical and breathtaking 70 minutes bodies are thrown about, bounce off each other and contort into positions that you don’t think could be possible. Or at least without hearing something go pop or snap.  

Keeping in theme with Circa’s other minimalistic productions, here the focus is on the body as a performance machine with few props. The premise behind the show is less on sexual gratification and more on the art of being looked at and being seen. 

There are some of the trappings of a sex club act. It’s performed against backdrops of silver tinsel and throbbing soundtrack. Spotlights pierce the surroundings. The cast wear a variety of different hot pants. But these are all just a tease to what the show’s really about.

It’s a show of strength as each scene pushes the body further. It’s a slightly mad, surreal and full on physical take on the art of circus performance. 

Directed by Yaron Lifschitz, Circa’s Peepshow is at Underbelly on the South Bank until 18 August.

⭐️⭐️⭐️⭐️

Photos by The Other Richard

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