Featured Post

He had it coming: Burnt Up Love @finborough

Image
Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

When I kissed the teacher: Moormaid @ArcolaTheatre

Life is too much to bear even when you’re an art teacher with sexy students who undress you with their long gazes. And then let you paint their muscular bodies with acrylic. Well that’s only part of Marion Bott’s play Moormaid which is having its premiere at the Arcola Theatre. 

Layered with meaning, there’s much passion and drama in the piece. But it’s the performances by the two leads that make it unmissable. Even if at times you’re admiring the piece for for its aesthetics over a coherent story.

It’s late night in Berlin. Melissa (Sarah Alles) is an art teacher on the edge. Her husband is away and she’s due to exhibit her works but has painted nothing in two years. Full of despair she is about to do something drastic when there’s a knock on the door. It’s a former student Medhi (Moe Bar-El). He’s had a dream and had to see her. 

But he’s not exactly her saviour. He dropped out of her life two years ago and has his own demons to face. And a past adventure gone wrong comes to visit him with the arrival of his best friend Khan (Ali Azhar) on the scene.

The intense and sensual performances by Moe Bar-El and Sarah Alles hold your attention here. He’s appeared in television and films but is making his theatrical debut here. Allen from Germany is also making her UK theatrical debut. 

Bar-el dominates the stage with a physical and emotional presence. There’s long gazes and pauses. You’re assuming he’s just a cheeky charmer but then when he grabs Allen you’re not sure if he’ll make love to her or tear her apart.

Writer Marion Bott’s inspiration for the piece came in 2014, when she discovered that two of her old classmates had travelled to Syria to fight for IS. And didn’t come back. But what comes through strongest is how past mistakes and chance encounters can bring you back from the brink. 

This is theatre up close and personal. Provocative and memorable for it’s unique story and performances. 

Directed by Zois Pigadas, Moormaid is at the Arcola Theatre until 19 May.

⭐️⭐️⭐️⭐️

Photos by Anika Wagner

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...