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Brief awakenings: White Rose The Musical @MaryleboneTHLDN

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A fascinating and daring act of defiance in Nazi Germany by a group of university students in Munich is given a slightly perplexing rock musical treatment in White Rose, the musical. Something seems amiss in this earnest and occasionally tuneful show. It lags more than it inspires, which is surprising given the tragic and compelling history of the real-life characters the show depicts. Given that young people are increasingly likely to vote for far-right parties across Europe, it’s an opportunity to look at a time when they had a different perspective on the future. Perhaps something has been lost in the translation or the larger space of the Marylebone Theatre where it plays.  The White Rose were a group of university students in Munich who sought to undermine the Third Reich through publication of a series of pamphlets urging passive resistance to the Nazi regime. Over a brief period between June 1942 and February 1943, they distributed their pamphlets across campus using ...

The Will Young show: Strictly Ballroom @TeamPiccadilly

Love is in the air in Strictly Ballroom, currently playing at The Piccadilly Theatre. It’s the musical based on Baz Luhrmann’s 1992 movie about a boy daring to dance his own steps in the cut-throat world of amateur ballroom dancing. The movie was full of irony and light-heartedness with its corny follow your heart and ugly duckling storylines. Here the musicalisation hits this message over your head as if you’re watching the fall of communism.
Jonny Labey and Zizi Strallen in the lead roles as the unlikely dance couple give the show style and pizazz. He’s a rebel, she’s an ugly duckling. There is also a thrilling paso doble dance sequence to close the first act. They even get to sing two lines and sound terriffic.

But the show is superfluously narrated by Will Young. He’s also the band leader singing all the songs. While this isn’t necessarily a bad idea, here it gives the impression you’re watching the Will Young musical. And often his light vocals are lost in the theatre. The decision to over-amplify everything also makes it sound as if you’re listening to karaoke.

The show builds up to the competition finale. Will the hero follow his heart and dance his own steps? It’s hard to tell since it’s all squandered by a cheesy finale that doesn’t even involve Labey and Strallen. They just stand at the back watching. Perplexed like the rest of us. In the end you might be on your feet dancing. But not sure why.

Directed and choreographed by Drew McOnie, Strictly Ballroom is at the Piccadilly Theatre until 20 October 

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