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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Oughta be in pictures: The Biograph Girl @Finborough

Musicals are usually about a love story. In The Biograph Girl, the love story is about the love of going to the flickers and the people who made them. The flickers were what people called the short silent movies. Before they started treating the medium as a form of art. And a source of serious money making. The show is having its first professional production in nearly forty years at the Finborough Theatre.

While there’s much love for the subject, a musical covering the early years of film is a tad ambitious. Covering the stories of Lilian Gish, Mary Pickford and D.W. Griffith doesn’t allow much time to explore them in any detail. Or any of the peripheral characters that surround them. People come and go. Only by reading the programme notes do you get a sense of who they were. And while the musical numbers are fun, they also tend to slow down rather than advance their stories. 

It’s a minimalist production too with its plain white walls, a few chairs and an electric piano. It’s a pity the production didn’t attempt to evoke techniques of filming that the work describes. You’re left to your own imagination to know what an iris shot is. Some old black and white films projected on the bare walls might have given a greater sense of the time and place.

But the performances in the piece are a delight and the cast injects the piece with endless energy. Particularly during the dance sequences choreographed by Holly Hughes. Sophie Linder-Lee as Mary Pickford is terrific as the movie star and canny businesswoman. She steals the show with her tap dancing and steely determination. And Matthew Cavendish is a one-man slapstick powerhouse with his depiction of funny man Mack Sennet. 

As part of the series of rediscovering British Musicals it is a fascinating piece for musical theatre aficionados. But others may be less intrigued. Directed by Jenny Eastop with musical direction by Harry Haden-Brown, The Biograph Girl runs through to June 9.

⭐️⭐️⭐️


Photos by Lidia Crisafulli

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