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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Duelling sopranos, love gone wrong: Der Schauspieldirektor and Bastien Und Bastienne @Popupoperauk

The singing is always the key to Popup Opera’s touring operas in small or unusual spaces. Along with the chance to see some overlooked or minor pieces by famous composers. Again the company does not disappoint with its Mozart double bill: Der Schauspieldirektor and Bastien Und Bastienne.

The first half of the piece, Der Schauspieldirektor, is essentially half an hour of music stretched out to a mildly amusing farce. Tradition has it that the dialogue around this piece is rewritten. Here the scenario is duelling auditions between two sopranos when a struggling opera company can only afford one. It’s an amusing premise that becomes a bit silly in its execution. But there’s still some serious music making. Particularly when older diva Sarah Helena Foubert and younger diva Hazel McBain spar in a thrilling duet.

In the second half we have Bastien Und Bastienne. Both consult a relationship guru (updated from a soothsayer) when one suspects the other is having an affair. After a series of songs about love and longing all ends well. Again it’s well sung by the performers, but the stand out comedy comes from the captions which send up the opera as much as anything else.

Part of the thrill of Popup Opera is also the ability to stage operas in unusual venues. I caught the performance at the Bethnal Green Working Men’s Club. With its ever present smell of stale beer and urine, it seemed like a perfect location for a struggling arts company to stage auditions. But the venue also pushes you up close to the performers and allows you to admire the mechanics of the singing too.

Directed by Anna Pool with music direction by Conal Bembridge-Sayers, Popup Opera’s Mozart double bill of Der Schauspieldirektor and Bastien Und Bastienne is travelling at various locations through until the end of July. Check their website for further details.

⭐️⭐️⭐️

Photos by Robert Workman




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