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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Still got it suckers: Chicago @Phoenix_Ldn

Corruption, greed and murder never seem to go out of style in Chicago. The Kander and Ebb musical returns to the West End’s Phoenix Theatre after a six year hiatus. 

It’s pretty much the same show that burst onto the scene in the late 1990s. Back even though it was a revival people saw it resonate with the trial of OJ Simpson. Twenty years on the President of the United States is purportedly a urophiliac. Hookers and porn stars paid off as fast as a the National Enquirer can catch and kill a story.  And you no longer have to be good or competent to rise to the top. Everything old seems new again. 

And this show is still a hell of a ride. With the sexy costumes and choreography “in the style of Bob Fosse”, the show oozes sex, rhythm and sensuality. 

If you’re not familiar with the show other than the gelded movie with Richard Gere and Catherine Zeta-Jones you’re in for a treat. If you’ve seen it all before you can lie back and enjoy the performances by Sarah Soetaert and Josefina Gabrielle as the merry murderesses Roxie and Velma. On trial for murder and desperate for fame. They manage to make this show their own with a combination of naughtiness and fear as they stare at unsuspecting members of the audience. 

Ruthie Henshall, who was the original Roxie in the 1997 London revival to prison Matron ‘Mama’ Morton gives the show added class. And Cuba Gooding Jr as the slick lawyer gives it the star treatment. When he stops worrying about his vocals...

The ensemble and the music are hot too. Sharp and cynical to the end. And the laughs take on new meaning when Roxie and Velma say at the end they’re living proof about what a wonderful country America is. 1920s Chicago seems so much like today. A show for grown ups. Naughty, bad grown ups. 

Directed by Tânia Nardini, recreating the original direction by Walter Bobbie, Chicago is running until 6 October at the Phoenix Theatre. 

⭐️⭐️⭐️⭐️

Photos by Tristram Kenton

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