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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Pass it on: Reared @Theatre503

Living with your mother in law and a daughter who’s pregnant sets the scene for some tough Irish mothering in Reared. A play by John Fitzpatrick that sets inter-generational conflict as both a tribute and a tribulation. And no matter how hard you fight it, you’ll always end up like your mother. Or in this case, your mother-in-law. It’s currently running at Theatre 503.

Eileen (Shelley Atkinson) is worried about her mother in law, Nora’s increasing forgetfulness. Could it be a sign of dementia? She’s also worried about her daughter Caitlin (Danielle Philips). Caitlin’s pregnant and putting her her dreams of drama school (or at least a shot at university) on hold. They’re just about managing and living under one roof as it’s Nora’s home. For now. 

Then there’s Eileen’s ineffectual husband Stuart (Daniel Crossley). And Caitlin’s best friend Colin (Rohan Nedd). But the men are there for the comic relief. Through a series of monologues and scenes, Fitzpatrick creates a layered story about inter-generational challenges. And the passing of these lessons from one generation are to another. 

It’s funny and touching. And the performances by the three women, each with their own challenges and demons, gives this piece its strength. Paddy Glynn as the seemingly dotty Nora is a standout. Walking on stage dragging a piece of toilet paper with a stain on it is a hell of a way to make an entrance.

It’s an evocative-looking production. Sammy Dawson’s production has crammed in so much detail that gives  insight into the family. There’s broken tiles, worn out appliances, empty wine bottles, and soup-splattered bins. It will have you pondering what they’re there for from the moment you enter the theatre. 

Perhaps the pacing sags at times, which makes it difficult to be sure whether you should be laughing or not, but it’s terrific all the same.

Directed by Sarah Daley-Hull, Reared is at Theatre 503 until 28 April.

⭐️⭐️⭐️⭐️


Photos by The Other Richard

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