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Brief awakenings: White Rose The Musical @MaryleboneTHLDN

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A fascinating and daring act of defiance in Nazi Germany by a group of university students in Munich is given a slightly perplexing rock musical treatment in White Rose, the musical. Something seems amiss in this earnest and occasionally tuneful show. It lags more than it inspires, which is surprising given the tragic and compelling history of the real-life characters the show depicts. Given that young people are increasingly likely to vote for far-right parties across Europe, it’s an opportunity to look at a time when they had a different perspective on the future. Perhaps something has been lost in the translation or the larger space of the Marylebone Theatre where it plays.  The White Rose were a group of university students in Munich who sought to undermine the Third Reich through publication of a series of pamphlets urging passive resistance to the Nazi regime. Over a brief period between June 1942 and February 1943, they distributed their pamphlets across campus using ...

Miss Atomic Bomb: The Bekkrell Effect @RoundhouseLDN #CircusFest

French circus troupe Groupe Bekkrell bring their show to the Camden Roundhouse, The Bekkrell Effect. It’s part of CircusFest 2018, which is celebrating 250 years since the invention of the modern circus. Using the discovery of radioactivity by Henri Becquerel, it’s an explosion of movement, working together and apart. They’ve created a world where things decay and disintegrate, including the set...

The strength of the piece comes from the unique staging. It starts off as a bare stage with a few things disassembled. There are cables, strings, ropes, boards.

Performers Fanny Alvarez, Sarah Cosset, Océane Pelpel and Fanny Sintés undertake rope, Chinese mast, tightrope and tumbling. And they bring all the stage props toghether while performing. Either together or alone.

Accompanied by a pulsating soundtrack or the performers own grunts, it’s both funny and fascinating.

And they manage to produce some stunning scenes, including for the finale where everything seems to be teetering on the brink.

But there’s something alienating and uninspired about the way the festival has chosen to present acts at the Roundhouse. It’s like they’re determined to keep the audience as far away from the performers. Maybe it was for health and safety grounds given how crazy this act is. But the raked seating makes it harder for the peformers to convey the excitement of their work. And it gives the audience incentive to leave before the end of the show.

Take your opera glasses, but The Bekkrell Effect is at Camden Roundhouse until 22 April. Check their website for future dates.

While most of the other events part of CircusFest 2018 have concluded, the Victoria and Albert Museum’s Friday Late on 27 April will be devoted to the art form.

⭐️⭐️⭐️


Photos by Massao Mascaro

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