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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Smokes and parasites: A Princess Undone @ParkTheatre

It’s a hot and stormy August evening, and Princess Margaret is on a mission in A Princess Undone. The trouble is, with so much reverence for the subject - and not much of a mission - it’s hard to see the drama (or comedy) in this piece by Richard Stirling. It’s currently playing at Park Theatre.

It’s August 1993. Most of the Royals are at Balmoral. Princess Margaret is at Kensington Palace with the Queen Mother’s steward William Tallon (also played by Stirling). After clearing out correspondence from the Queen Mother’s rooms in Clarence House they’re getting ready to burn it. 

The trouble is Princess Michael of Kent is watching them. And they aren’t too sure if Diana has slipped out for a night of playing catch with the paparazzi. And some boy is claiming to have information on her liaisons with underworld figure John Bindon.

The premise sounds like it could be a farce exploring the world of the royals and the sycophants that surround them. But too often the punches are pulled and we’re left with a drama rather than a romp. Which is too bad since it would be much more fun to laugh at all the fuss about nothing. 

Most of the secrets being burnt would be let out by a succession of books and people lining up to sell their stories to the press. The piece points out Princess Margaret’s drinking, drugs and sexual escapades were eclipsed by the next generation of squidgy and toe-sucking royals. But there was still much to find mirth in the princess without a point. A royal with a title and no purpose. Other than to have a few streets named after her and a string of lovers of dubious reputation.

Throughout the play much is also made about the Gasworks, the Chelsea spot where many of the characters frequented. You could be forgiven thinking it was a glamour spot rather than some grim place run by eccentrics serving up indelible food.

Felicity Dean as Princess Margaret looks the part with her big hair and chain smoking. Too bad she isn’t allowed to be nastier, funnier and dirtier in this piece. Afterall, that’s what would make us feel there’s a little Princess Margaret in all of us.

Directed by Jonny Kelly, A Princess Undone is at Park Theatre until 17 March.

⭐️⭐️⭐️


Production photos by Simon Annand

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